Canon and Sony lack the incentive to add high-end video features to their mirrorless cameras, as that could cannibalize their professional video divisions. However, Nikon has no such constraint, so I was really hoping that it would try to outdo Sony with features like professional 10-bit 4K video recording. I also wanted to see good ergonomics, a 24-megapixel sensor, phase-detect AF, high ISO capability and fast shooting speeds.

Here’s the interesting thing. Nikon did deliver those features with the Z6 and Z7, for the most part. In my review, I called the Z6 the best full-frame mirrorless camera for video, thanks to the full-sensor oversampled 4K video, 10-bit 4:2:2 external output, well-controlled rolling shutter and microphone/headphone jacks.

It also offers excellent image quality, even in low-light and faster shooting speeds than the EOS R. It has a very effective in-body stabilization system, minimal rolling shutter and excellent ergonomics, effectively nailing my wishlist. Nikon offers a better choice of affordable glass than Canon, and the new mount will allow it to build incredible lenses, like the upcoming Nikkor Noct 58mm.

Finally, Nikon recently released a new firmware update that added eye autofocus and improved performance, no doubt making buyers feel a lot better about their investment. As for downsides, there are just a few, specifically the single card slot and autofocus performance that’s still not quite up to par.

Why Sony is still winning

Shortly after its release, the Canon EOS R beat Sony and Nikon’s full-frame mirrorless products in sales at Tokyo’s largest camera store, Map Camera. However, sales tailed off shortly afterwards, and last quarter, Sony outsold Nikon and Canon combined in Japan, according to BCN.

Camera sales are impacted by all kinds of factors, like market saturation — there are now four full-frame mirrorless systems, after — better smartphone cameras and more. However, I believe there are a few reasons why Sony is still beating its main rivals.

First off, Canon, which had the best chance of unseating Sony, simply didn’t do enough. The EOS R, (and subsequently, the EOS RP), are missing features they should absolutely have, like in-body stabilization, full-frame 4K video and dual card slots. Since Sony is the entrenched player and has two very well-reviewed cameras (the A7 III and A7R III), Canon should have tried to beat it.t didn’t even come close.

As for Nikon, the Z7 and, especially, the Z6, are both strong cameras. On top of that, Nikon recently released a firmware update that adds eye autofocus to both cameras, while boosting AF speed and accuracy.

But unfortunately, as many reviewers discovered, Sony’s autofocus system is miles ahead of both Nikon and Canon. Sony has a very powerful advantage because it builds its own sensors and electronics, and has more expertise in designing autofocus software, too. It’s painfully clear just how far behind Canon’s sensors and processors are, judging by the lack of full-frame 4K, awful rolling shutter and slowish autofocus speeds.

Even Nikon, which did its best to match the A7 III and A7R III feature for feature, couldn’t build an autofocus system that’s close to matching what Sony has. Meanwhile, Sony keeps innovating, as it has shown with the incredible new autofocus system on the APS-C A6400. That system is bound to show up on its next-generation A7 IV cameras, which will leap even further ahead of its rivals. Sony is also bound to respond to its competitors with its next-generation cameras.

As it stands now, Canon and Nikon have failed to surpass Sony with their latest models, and risk falling further behind the next generation of A7 cameras. If they can’t find a way to keep up in the technical race, they’ll be left fighting over Sony’s scraps in an increasingly shrinking mirrorless camera market.

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Steve should have known that civil engineering was not for him when he spent most of his time at university monkeying with his 8086 clone PC. Although he graduated, a lifelong obsession of wanting the Solitaire win animation to go faster had begun. Always seeking a gadget fix, he dabbles in photography, video, 3D animation and is a licensed private pilot. He followed l’amour de sa vie from Vancouver, BC, to France and now lives in Paris.

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